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在经营了多年的桌球室里，艾迪（保罗·纽曼 Paul Newman饰）发现了一个优质的桌球苗子——文森（汤姆·克鲁斯 Tom Cruise饰）。文森暗藏着艾迪当年在桌球台上的风采，令艾迪决心收他为徒，助他在桌球事业上大显身手。于是，艾迪、文森和文森的女友，一同前往大西洋城参加大赛。 一路上，文森参加了不少小型比赛，虽然和艾迪之间不断有分歧，但也赢回不少金钱。同时，艾迪在培养文森的过程中，内心对桌球的热爱又重新被唤起，他重新拿起球杆，不料却败北而归。失落的艾迪决定离开文森，一个人苦练球技重振雄风。当踌躇满怀的艾迪重回大西洋赛场，却发现文森成为了自己的对手。 此时的文森对金钱的追求，已经远远超过了桌球本身。艾迪和文森的比赛成为一场尊严与金钱之战。
长篇影评
1 ) Sound and music effects of some scenes in The Colour of Money
#1 Diegetic Sound Effect
In a movie, diegetic sound can be a very effective way to grab the attention of characters, and also the attention of the audience. At the beginning of The Colour of Money, the conversation between Eddie and his girlfriend is interrupted five times. This is to generally move his attention to the other main character, Vincent Laura. It also makes the audience begin to notice and focus on a new character. The process of the whole transition is done smoothly. When Eddie is chatting with his girlfriend, the first interruption comes in a sudden. Julian touches Eddie's shoulder to lead his attention from his girlfriend to the pool game, which indicates the audience about the other character, Vincent. As Eddie is looking at Vincent, a sharp car horn comes suddenly. This is a non-diegetic sound because it is only shown to the audience. The car horn indicates Eddie's mind and symbolizes the transition of his attention. Also, it is a subtle way to move the camera back to Eddie's scene. Additionally, the second interruption happens when Julian is trying to get the money on the table, while Eddie is astonished and quickly grabs Julian’s hand in a loud and sudden sound. The purpose of this diegetic sound is to tell that Julian is beaten by that young guy, which is a big suprise. The third interruption is Carmen's voice, calling Vincent by name, along with a ball colliding sound. It makes Eddie turns his head to the table curiously. At that time Vincent's face is first shown. When Eddie turns to his girlfriend later, the fourth interruption comes again. Vincent wins the pool games. He shouts like a kid and kisses Carmen. His shouting and the kissing sound are obviously diegetic sound because Eddie turns to them and observes them for a much longer time. This time, he shows the real interest to Vincent, the talented young man who might remind him of his early age. That's why after the fifth interruption, when Eddie hears Carmen's voice again, he cannot sit still anymore. He stands up, and walks to Vincent. Five steps, the director successfully raises Eddie's interest to Vincent, and transfers the audience's attention to the new character from Eddie.
#2 Non-diegetic Sound Effect
A diegetic music may switch to non-diegetic music to indicate the change of character's moods and feelings. For example, a nice, smoothing bar music is on as Eddie enters the pool game room. This is the first time he decides to play pool game again after so many years. Therefore, the bar music, which is the diegetic music, is very soft and relaxing. The music shows Eddie's happy feeling and his great expectation for pool games. He hopes to give an excellent performance as goog as twenty years ago. With this kind of confidence, Eddie plays his game with a young hustler. He keeps winning at first, just like what he expects. It seems that Eddie is still a skllful and professional player. However, along with the hustler's ball dropping into the pocket, the bar music changes dramatically to non-diegetic music. This is a very loud, sharp interrupting sound played by the guitar, which acts as the turning point of the pool game. Eddie begins to lose, and realizes that he is hustled. After the first shot of the guitar, the music turns down, and becomes diegetic again. This time, the bar music is no longer in a happy tone. Instead, it is a sad music about a man laughing at his ridiculous life, which is like Eddie's state for now. He feels himself like a fool. After the game, he picks the white ball, and drops it down into the pocket. The ball keeps going down, down, down into the system under the table, along with Eddie's heart. At that moment, he feels down and upset like the falling white ball. In a pool game, a person will lose if he hits the white ball into the pocket. The white ball symbolizes losing. After all these years, Eddie still feels like he is a loser. The sound of the ball is so clear, but it should not be heard by characters. In this situation, the sound is neither diegetic nor non-diegetic. Still, the characters can hear a little bit of the ball crashing into the system, but most of the time the sound is imagined by Eddie. It is the sound of his heart filled with disappointment. According to the third scene of the movie, the music keeps changing between diegetic and non-diegetic. Sometimes it does not even belong to diegetic or non-diegetic music. All these changes are for one purpose only. To make the audience feel what a character feels.
In a movie, diegetic sound can be a very effective way to grab the attention of characters, and also the attention of the audience. At the beginning of The Colour of Money, the conversation between Eddie and his girlfriend is interrupted five times. This is to generally move his attention to the other main character, Vincent Laura. It also makes the audience begin to notice and focus on a new character. The process of the whole transition is done smoothly. When Eddie is chatting with his girlfriend, the first interruption comes in a sudden. Julian touches Eddie's shoulder to lead his attention from his girlfriend to the pool game, which indicates the audience about the other character, Vincent. As Eddie is looking at Vincent, a sharp car horn comes suddenly. This is a non-diegetic sound because it is only shown to the audience. The car horn indicates Eddie's mind and symbolizes the transition of his attention. Also, it is a subtle way to move the camera back to Eddie's scene. Additionally, the second interruption happens when Julian is trying to get the money on the table, while Eddie is astonished and quickly grabs Julian’s hand in a loud and sudden sound. The purpose of this diegetic sound is to tell that Julian is beaten by that young guy, which is a big suprise. The third interruption is Carmen's voice, calling Vincent by name, along with a ball colliding sound. It makes Eddie turns his head to the table curiously. At that time Vincent's face is first shown. When Eddie turns to his girlfriend later, the fourth interruption comes again. Vincent wins the pool games. He shouts like a kid and kisses Carmen. His shouting and the kissing sound are obviously diegetic sound because Eddie turns to them and observes them for a much longer time. This time, he shows the real interest to Vincent, the talented young man who might remind him of his early age. That's why after the fifth interruption, when Eddie hears Carmen's voice again, he cannot sit still anymore. He stands up, and walks to Vincent. Five steps, the director successfully raises Eddie's interest to Vincent, and transfers the audience's attention to the new character from Eddie.
#2 Non-diegetic Sound Effect
A diegetic music may switch to non-diegetic music to indicate the change of character's moods and feelings. For example, a nice, smoothing bar music is on as Eddie enters the pool game room. This is the first time he decides to play pool game again after so many years. Therefore, the bar music, which is the diegetic music, is very soft and relaxing. The music shows Eddie's happy feeling and his great expectation for pool games. He hopes to give an excellent performance as goog as twenty years ago. With this kind of confidence, Eddie plays his game with a young hustler. He keeps winning at first, just like what he expects. It seems that Eddie is still a skllful and professional player. However, along with the hustler's ball dropping into the pocket, the bar music changes dramatically to non-diegetic music. This is a very loud, sharp interrupting sound played by the guitar, which acts as the turning point of the pool game. Eddie begins to lose, and realizes that he is hustled. After the first shot of the guitar, the music turns down, and becomes diegetic again. This time, the bar music is no longer in a happy tone. Instead, it is a sad music about a man laughing at his ridiculous life, which is like Eddie's state for now. He feels himself like a fool. After the game, he picks the white ball, and drops it down into the pocket. The ball keeps going down, down, down into the system under the table, along with Eddie's heart. At that moment, he feels down and upset like the falling white ball. In a pool game, a person will lose if he hits the white ball into the pocket. The white ball symbolizes losing. After all these years, Eddie still feels like he is a loser. The sound of the ball is so clear, but it should not be heard by characters. In this situation, the sound is neither diegetic nor non-diegetic. Still, the characters can hear a little bit of the ball crashing into the system, but most of the time the sound is imagined by Eddie. It is the sound of his heart filled with disappointment. According to the third scene of the movie, the music keeps changing between diegetic and non-diegetic. Sometimes it does not even belong to diegetic or non-diegetic music. All these changes are for one purpose only. To make the audience feel what a character feels.
2 ) 金钱本色
故事讲的是两个台球人。Paul Newman饰演的艾迪是个息杆多年的台球老手。Tom Cruise饰演一个年少气盛有勇无谋、任性妄为资质绝佳的青年文生。艾迪在酒吧里发现了文生，后来经过艾迪的调教，文生成为了一个高明的赌徒。后来在大西洋城规模庞大的台球比赛中，经过一番苦战，艾迪终于战胜了文生，获得了胜利。然而他很快知道这只不过是文生为了赢钱而作的小伎俩，他感到深受侮辱。在准决赛中，面对光可鉴人的桌球，艾迪放弃了比赛。在空旷的球室里， 艾迪和文生重新比了一局。 伴随着一句“我回来了”， 艾迪响亮地将球击了出去。
片子的主题就是说明金钱的魅力和诱惑是怎样把一个青涩的青年变成了一个只为了金钱而不讲良心和道德的赌徒，而一个老道的老手是怎样放弃了金钱的诱惑，讲了一把良心和荣誉。
Paul Newman凭获该片赢得了第59届奥斯卡影帝称号。在此以前他曾7次获得过提名，但却全部落选。 直到这一次，他才终于得偿心愿，摘走了影帝的桂冠。他在片中的表现确实也盖过了还嫩着的Tom Cruise。
该片也为导演斯科西斯赢来了商业上久违的成功。借此春风的斯科西斯还于当年为超级歌星麦克尔·杰克逊的新专辑拍摄了一系列脍炙人口的MTV。比如： Bad (1987)。 麦克尔·杰克逊的MTV都超级好看，因为有他漂亮的舞步。哦也。本家当初喜欢的很。
喜欢台球的朋友可以一看，里面的台球比赛有详有略，很精彩。桌球清脆的撞击声也产生了奇妙的效果，令人难忘。
片子的主题就是说明金钱的魅力和诱惑是怎样把一个青涩的青年变成了一个只为了金钱而不讲良心和道德的赌徒，而一个老道的老手是怎样放弃了金钱的诱惑，讲了一把良心和荣誉。
Paul Newman凭获该片赢得了第59届奥斯卡影帝称号。在此以前他曾7次获得过提名，但却全部落选。 直到这一次，他才终于得偿心愿，摘走了影帝的桂冠。他在片中的表现确实也盖过了还嫩着的Tom Cruise。
该片也为导演斯科西斯赢来了商业上久违的成功。借此春风的斯科西斯还于当年为超级歌星麦克尔·杰克逊的新专辑拍摄了一系列脍炙人口的MTV。比如： Bad (1987)。 麦克尔·杰克逊的MTV都超级好看，因为有他漂亮的舞步。哦也。本家当初喜欢的很。
喜欢台球的朋友可以一看，里面的台球比赛有详有略，很精彩。桌球清脆的撞击声也产生了奇妙的效果，令人难忘。
3 ) 纠结于金钱，才会失去了本色
可能是我们对于桌球这项运动不太感冒使这部电影打分这么低吧。 之前看马丁的纪录片就知道剪辑师称他为曲库，各种场面的衔接配上音乐都恰到好处，在这部电影才算是感受到了。
一场比赛的背后竟然有那么多金钱的追求，艾迪能把他当年所奋斗过的赛场后面的迷局娓娓道来，却又显得无关痛痒。可能岁月早将他的斗志毅力给冲刷干净了，一切都关乎金钱，再多的“booze”也带不来球场上的豪情了。
艾迪像循循善诱的老师，又像步步为营的骗局老手。在第一家球馆通过教训阿汤哥饰演的文生，将他的仁慈杀死。再进一步扼杀他属于青年人的那份个性的张扬。一步步将他推向金钱游戏，就此不归。
身处暮年他也不曾忘记当年的雄风，看着文生如野狼一样大展身手，也一定重燃起了激情。但是却被更高一等的骗子打败，才明白在利益面前从来没有赢家，从来只是一枚金钱游戏里的棋子。
这场运动没有碰撞，没有呐喊，甚至少了些汗水，竟然能让一个白发老人焕发生机，也许这就是桌球在西方长存的原因吧，不动声色的对决才具魅力。
用尊严赢来的胜利远大于金钱所带来的，一场胜利可以令他钻出门外像小孩子一样大叫一声，再淡定自若地走回来。
就如最后一句 “hey，I'm back”他回来了，就像二十年前那个驰骋赛场的自己，不忘本色。
4 ) The Color of Money
在经营了多年的桌球室里，艾迪（保罗·纽曼 Paul Newman饰）发现了一个优质的桌球苗子——文森（汤姆·克鲁斯 Tom Cruise饰）。文森暗藏着艾迪当年在桌球台上的风采，令艾迪决心收他为徒，助他在桌球事业上大显身手。于是，艾迪、文森和文森的女友，一同前往大西洋城参加大赛。
一路上，文森参加了不少小型比赛，虽然和艾迪之间不断有分歧，但也赢回不少金钱。同时，艾迪在培养文森的过程中，内心对桌球的热爱又重新被唤起，他重新拿起球杆，不料却败北而归。失落的艾迪决定离开文森，一个人苦练球技重振雄风。当踌躇满怀的艾迪重回大西洋赛场，却发现文森成为了自己的对手。
此时的文森对金钱的追求，已经远远超过了桌球本身。艾迪和文森的比赛成为一场尊严与金钱之战。
一路上，文森参加了不少小型比赛，虽然和艾迪之间不断有分歧，但也赢回不少金钱。同时，艾迪在培养文森的过程中，内心对桌球的热爱又重新被唤起，他重新拿起球杆，不料却败北而归。失落的艾迪决定离开文森，一个人苦练球技重振雄风。当踌躇满怀的艾迪重回大西洋赛场，却发现文森成为了自己的对手。
此时的文森对金钱的追求，已经远远超过了桌球本身。艾迪和文森的比赛成为一场尊严与金钱之战。
5 ) 【186】《金钱本色》——鲸鱼推荐872部好电影
薪火相传
《金钱本色》 The Color of Money 年代：1986年 / 国家：美国 / 导演：马丁·斯科塞斯 / 主演：保罗·纽曼、汤姆·克鲁斯
说实话，我真的没看出来这竟然是马丁·斯科塞斯的电影。事实上，这部《金钱本色》在斯科塞斯的电影履历表中的地位，完全比不上对于两位主演来说的重要性。保罗·纽曼延续了25年前的《江湖浪子》中相同的角色，但是心境已经随着年龄发生了巨大的变化，这个走心的角色让年过60岁的他捧起了一座奥斯卡最佳男主角的奖杯——也是唯一一座。该片的另一大贡献是捧出当时还是个愣头青的演员汤姆·克鲁斯。他那时年仅24岁，光洁无瑕的脸庞棱角分明，留着当时特别流行的潮流发型，简直是迷倒了一票女粉丝。同年的《壮志凌云》则让他彻底步入当红炸子鸡的行列。不得不说，阿汤哥非常幸运，除了有保罗·纽曼的保驾护航，两年后又在《雨人》跟达斯汀·霍夫曼飙戏，十足是“老带新”潮流中获益最多的一位新晋小生。
虽然没有明说，但谁都能看出来《金钱本色》其实就是《江湖浪子》的续集，当年那个打台球的艾迪，如今也成了花甲老人，于是他也寻觅到了自己的接班人：文森特。文森特的进步也让他想要重出江湖，但他发现江湖已经抛弃了他，甚至最终还要面对与自己的徒弟同台竞争的局面。其实整个故事就是一个很明显的预言：好莱坞已经开始更新换代了。
亮点1
第70分钟，在文森特和艾迪的这场对话中，镜头在艾迪身后进行了横移，也就是说文森特从画面的右侧，移到了画面的左侧。这违反了表现两个人物关系镜头的基本法则，即出现了“越轴”，但作为“新好莱坞”的主要导演之一，斯科塞斯反常规地尝试刷新电影语言，也是做出了贡献，比如陆川就曾在《寻枪》中让镜头干脆围着两着两个角色旋转。
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亮点2
第114分钟，艾迪一句“让我们消除恩怨吧！”导致了两人半分钟的沉默，随后文森特和艾迪拿起球杆，两人在球桌上一球泯恩仇。其实这一球也很有象征意义，代表着两代电影人的交替，不过最后艾迪的一句“我来了”，也颇有“烈士暮年，壮心不已”的豪壮感。
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《金钱本色》 The Color of Money 年代：1986年 / 国家：美国 / 导演：马丁·斯科塞斯 / 主演：保罗·纽曼、汤姆·克鲁斯
说实话，我真的没看出来这竟然是马丁·斯科塞斯的电影。事实上，这部《金钱本色》在斯科塞斯的电影履历表中的地位，完全比不上对于两位主演来说的重要性。保罗·纽曼延续了25年前的《江湖浪子》中相同的角色，但是心境已经随着年龄发生了巨大的变化，这个走心的角色让年过60岁的他捧起了一座奥斯卡最佳男主角的奖杯——也是唯一一座。该片的另一大贡献是捧出当时还是个愣头青的演员汤姆·克鲁斯。他那时年仅24岁，光洁无瑕的脸庞棱角分明，留着当时特别流行的潮流发型，简直是迷倒了一票女粉丝。同年的《壮志凌云》则让他彻底步入当红炸子鸡的行列。不得不说，阿汤哥非常幸运，除了有保罗·纽曼的保驾护航，两年后又在《雨人》跟达斯汀·霍夫曼飙戏，十足是“老带新”潮流中获益最多的一位新晋小生。
虽然没有明说，但谁都能看出来《金钱本色》其实就是《江湖浪子》的续集，当年那个打台球的艾迪，如今也成了花甲老人，于是他也寻觅到了自己的接班人：文森特。文森特的进步也让他想要重出江湖，但他发现江湖已经抛弃了他，甚至最终还要面对与自己的徒弟同台竞争的局面。其实整个故事就是一个很明显的预言：好莱坞已经开始更新换代了。
亮点1
第70分钟，在文森特和艾迪的这场对话中，镜头在艾迪身后进行了横移，也就是说文森特从画面的右侧，移到了画面的左侧。这违反了表现两个人物关系镜头的基本法则，即出现了“越轴”，但作为“新好莱坞”的主要导演之一，斯科塞斯反常规地尝试刷新电影语言，也是做出了贡献，比如陆川就曾在《寻枪》中让镜头干脆围着两着两个角色旋转。
亮点2
第114分钟，艾迪一句“让我们消除恩怨吧！”导致了两人半分钟的沉默，随后文森特和艾迪拿起球杆，两人在球桌上一球泯恩仇。其实这一球也很有象征意义，代表着两代电影人的交替，不过最后艾迪的一句“我来了”，也颇有“烈士暮年，壮心不已”的豪壮感。
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6 ) 金钱
艾迪是个息杆多年的台球老手。 有一次， 他在酒吧里发现了一个资质绝佳的青年文生。艾迪决定把文生培养成一个台球赌博的能手。在文生的女友卡洛的帮助下，艾迪说服了文生，带着他们踏上了前往大西洋城的道路。 年少气盛的文生有勇无谋，任性妄为，错过了不少赢钱的机会，令艾迪大为操心。但在卡洛的帮助下，艾迪终于教给了文生台球赌博的种种诀窍。文生开始渐渐懂得了赌博之道，赢了不少的钱。 文生的成长使艾迪深有感触，他也不由得技痒，重新拿起了球杆，然而却意外地遭到了惨败，尝到了输钱的滋味。受到打击的他离开了已经可以自立了的文生和卡洛，开始重新苦练球艺。 在大西洋城的台球比赛中，艾迪又一次见到了文生。此时的文生已经完全成为了一个高明的赌徒。在比赛中，经过一番苦战，艾迪终于战胜了文生，获得了胜利。然而他很快知道这只不过是文生为了赢钱而作的安排，他感到深受侮辱。 在准决赛中，面对光可鉴人的桌球，艾迪放弃了比赛。 台球手的尊严在他身上占了上风。 在空旷的球室里， 艾迪和文生重新比了一局。 伴随着一句“我回来了”， 艾迪响亮地将球击了出去……
给跪了。。。1986年的美国片，一段聊天内容竟然是“现在人们一提到地震，不得不提及汶川”。保罗纽曼“老千”代言~
故事很扎实，有不少台词很下功夫。能看出这部电影对昆汀影响很大。
阿汤哥这辈子演技估计是达不到保罗纽曼的境界了
电影要说的东西还是浅了，男人的尊严和金钱之间的选择，刚要开始说又没了。所以还是纽曼的个人秀，戴上眼镜也挺帅但看不见他的眼睛了啊！竟然还真用花哨的镜头和剪辑填满了俩小时，除了马丁别人估计做不到。另外阿汤配着伦敦狼人那首歌打球真是绝了，浑身上下写着“臭屁”“膨胀”等字😂
铺垫没做好 故事转得突兀 二位主角观念的互换完成的毫无征兆 片子的中心思想根本没法很好的表达 不过真的再难找到一个像保罗纽曼那么会演老千的演员了
文森是一位九球天才，但需要塑造和引领，初始合作关系中，老艾迪负责传授经验包括各种套利技巧，这点来说他与文森的女友可以很快达成共识，可随着比赛越来越频繁，文森的两位“老师”产生了分歧：埃迪对去伪存真的九球热爱被重新唤起，而营生中逐渐摸着门路独当一面的女友则倾向于继续赚钱，直至最终文森从一开始的热血好胜没钱也打转变为比女友更善讨价还价唯利是图……所以这里有隐含的厚古非今（针对八零年代意识形态）：六零年代老一辈九球职业玩家，虽然也行诈套利，但他们知道自己什么时候把尊严放在第一位，基于此电影放弃了更符合普通观众期待的年轻文森改过自新的上扬弧变，冻帧收镜在老艾迪那一计强力开球和……“我回来了！”
马丁·斯科塞斯比较一般的水准之作。风靡世界的台球题材，一老一少俩戏骨：保罗·纽曼、汤姆·克鲁斯，一个老成稳重，一个青春二逼。再加上一个花瓶露个点卖个骚，标准的80年代好莱坞卖座片嘛。将近30年过去，保罗纽曼已经作古，花瓶女配角已经老去。唯有阿汤哥永葆青春。啧啧。三星半
4.5，这种题材，马丁斯科塞斯教科书级别的能力把电影拍的很完美，无论运镜还是剪辑都看的很舒服，更别说两位完美契合角色的主演了，一个男人一个男孩，一个为了尊严一个为了金钱，阿汤哥玩棍如孙悟空，保罗纽曼老而稳重，配乐很加分，就是剧本里面纽曼这个角色崛起的太快了一点，主题也突出表现的有点晚了一点，整体还是不错的斯科塞斯作品，挺喜欢的。
Tom Cruise真嫩。 Paul Newman是绅士般Clint Eastwood么，两个都是迷人的矍铄老头.
太无聊了 不能盲目迷信大师，前半部分完全不知道女主角是干嘛的，鸡肋桥段太多了
镜头配乐还是可看出马丁范，但这不是一部纯马丁的电影，却是一部纯纽曼的电影~
遗憾我们从未成熟，还没能晓得，就已经老了，尽力却仍不明白身边的年轻人，给自己随便找个理由，向情爱的挑逗，命运的左右，不自量力地还手，直至死方休李宗盛《山丘》
2009-03-09. To be cool.8
1986年的奥斯卡最佳男主角，又是打桌球的纽曼，不免让人想到《江湖浪子》。阿汤哥真是粉嫩
球桌变成赌桌球技变成赌技，锐气十足的徒弟青出于蓝终把金钱当成了荣誉，老谋深算的师傅却浪子回头重燃求胜的野性，保罗纽曼如陈酿越品越有味道靓汤如可乐透着欲罢不能的生气，公平对决永不服输才是最纯粹的竞技体育，一杆子拨乱反正爷梦回过去。
08.5.11我宣布这是我目前最喜欢的片头，什么能够夺取香烟、黑色、和红色的性感呢，背后还有遥远的人声和八十年代的音乐。开始饭保罗纽曼。老男人，要不我也找一个老男人。我喜欢他穿着吊带西裤和白色衬衫，带着墨镜的样子，在桌球灯下，缓缓饮入一杯琥珀色的威士忌。小汤，你从小就有一种机灵又快活的神色，可是我还是对你身材充满挑剔。见到了早安越南里面跟着罗宾威廉姆斯的黑人大兵。桌球真是优雅的游戏。
I like it!!!
9.25可圈可点，比如开场的长镜头，有几句台词还挺好。但是情绪调控得不够好，该到情绪上扬而剧情欠奉的时候，台词镜头和斯科塞斯选用的音乐没有跟上，在这方面本片逊色于《好家伙》，《飞行者》和《无间道风云》。TLF的中文字幕本地化得很搞，汶川李小龙邓小平李连杰小笼包子都出来了。
《江湖浪子》25年后快手艾迪重新上路，楞头青成了老油条，但骨子里的好胜依旧；老马丁拍这片子当是单纯为纽曼圆梦吧，没什么太值得说的，归根结底还是个寻找自我的故事，有几个镜头还是挺漂亮的；不过贯彻始终的那股浓浓的八十年代风韵棒极了。
这才是老马丁，拍什么雨果啊。没有三飞真可惜，TOM那时候还没长开。